Saturday 16 May 2020

Nancy Sinatra & Lee Hazelwood - Some Velvet Morning


Originally I had only heard Nancy Sinatra and the annoying "These Boots are  Made for Walking", but it was interesting to discover her 1960s work with Lee Hazelwood, and especially the dark and enigmatic "Some Velvet Morning".

Nancy Sinatra's fledging singing career was stalling in the mid 1960s, so her father Frank asked Duane Eddy's well-regarded producer Lee Hazelwood for help. He quickly reinvented her image, and the hits flowed, including some country style duets with him.

"Some Velvet Morning" was originally written by Hazelwood for a Sinatra TV show, recorded at the peak of psychedelia in 1967, and marked a significant departure.

It sounds like two different songs welded together, singing separately -  Hazelwood older, deep and moody, Sinatra younger, light and playful. The contrast emphasised by the different beats - 4/4 for him and 3/4 for her. Major kudos to the orchestra arranger Billy Strange for enabling it be recorded live in one take with no overdubs.  

Starting with an atmospheric spray of strings, Hazelwood intones "Some velvet morning when I'm straight / I'm gonna open up your gate" and wishes to recant his past with Phaedra. Sinatra immediately replies with a dreamy ode to nature "Flowers growing on a hill, dragonflies and daffodils" before introducing herself as the same Phaedra.

It is hard to determine a definitive meaning, especially as Hazelwood himself professed ignorance. On a simple level, it could be trying to overcome a serious drug addiction and wanting to be free (straight might be the key word). But there may be more sinister and threatening overtones, especially considering his creepy vocals and her innocence. What is the "gate" he wants to open, could it be enlightening or sexual ? And why did he chose the name Phaedra, from a Greek myth of spurned passion for stepson and false witness ?

Initially "Some Velvet Morning" was only a top 30 hit in the US, but its stature has grown over the years, and frequently used as a base for mismatched duets.  

A haunting and enigmatic concoction, which sounds as unusual and intriguing now as it did 50 years ago.



Hear Next -  "Nancy & Lee" is a great album of duets.

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