Morrissey - Suedehead

A common dilemma today is how to regard musical heroes disgraced by sex scandals, assaults, or even murder ? Can we separate the work from the performer ? In the case of Morrissey, his support of the far right wing, seems particularly frustrating as his songs were witty, compassionate, empathic and sensitive to outsiders in society.

"Suedehead" from 1988 remains my favourite Morrissey moment - a typical Moz tale of unrequited love. His first solo release since the split of The Smith, the single appeared on the specially reactivated HMV label, showing love of tradition (it is no coincidence that his autobiography was released as a Penguin paperback).

Stephen Street replaced Johnny Marr as his musical foil, co-writing, playing bass and producing. The band was completed by Vini Reilly on guitar / keyboards and Andrew Paresi on drums.

As normal, Morrissey's lyrics are opaque, and he provided little insight in interviews. It seems like a poignant account of  the aftermath from a  previous sexual encounter ("a good lay"). The partner (his lyrics are rarely gender specific) is irritated by their subsequent attention ("why send me silly notes ?"), which then verges on obsession, as he pries into their diary. A major violation in Morrissey's world, although I am curious why his diary has illustrations.

The name suedehead was given to an offshoot of the skinhead culture, immortalised in the novel of Richard Allen, but the song bears no relation, as he simply liked the word.

There is not much difference between this and his Smiths work - the trademark Morrissey tremulous and mannered phrasings are still in place, more crooning than punk. Obviously Marr's guitar is sorely missed, but the addition of strings is a classy touch.

"Suedehead" must have felt like vindication, as it soared to number 5 in the UK chart, instantly topping any Smiths' single. Its caused aided by a typically artistic video featuring Morrissey's pilgrimage to James Dean's hometown and grave.

Morrissey has always shocked and outraged, but we should always remember the special and idiosyncratic talent with tracks like "Suedehead".

Hear Now - https://www.youtube.com/watch?v=0AvuweztG4Q  and I also adore this Mexican mariachi version from the tribute group Mexrrissey   - https://www.youtube.com/watch?v=4Zh-89Hg2K0

Hear Next -  The solo debut "Viva Hate" or "Years of Refusal" are my favourites.