Thursday 16 April 2020

Kirsty MacColl - Caroline


Kirsty MacColl never received the popularity she deserved during her lifetime, but she had a varied career and was highly regarded by fellow musicians. She had sweet but strong voice, with a wide range, and heavily in demand baking vocals for artists as diverse as Happy Mondays, Climie Fisher, Talking Heads and The Smiths. She even sequenced U2's "Joshua Tree" album.

She is most famous for her feisty duet on the Pogues' "Fairytale of New York" and Billy Bragg's "New England".  It is a pity because she was such a great songwriter in her own right (maybe genetic as her father was famed folk singer Ewan MacColl).
  
She emerged as a self-contained pop star, with the classic "They Don't Know" (her high note on "baby!" is a delight), before reappearing later as a acerbic singer / songwriter - like a female Costello, documenting and chastising the 1980s era. As David Byrne aptly observed "the voice of an angel, from the mind & heart inflamed by Thatcher's England".

It was a hard decision, but I opted for "Caroline", a single recorded especially for her "Galore" best of album. It is typical of her work on that era, with a country swing feel, prominent acoustic guitar, cool voice,  with her crafted and wry lyrics, combining for a great pop song.

It is another song about a woman with a broken heart, as her lover has left her. But MacColl's ingenious twist is to sing as the woman who stole the man, and it was her best friend too !  She wanted to describe how Dolly Parton's Jolene would think, or Robyn's "Call Your Girlfriend".

It starts with a great, but dated line "She called me up the other day / And left a message on my machine"  (today it would be a text ?). Caroline doesn't know yet that the other woman is her best friend, and the narrator clearly does relish any future encounter "Oh how can I break the news like that?", and ultimately "Now I don't want to see Caroline".

She is distraught with the pain she has caused, knows it is wrong, but she could not resist him "I wish I'd turned you away / And my head said go, but my heart, my heart said stay".  She is still tormented "Now I lie here with you, can't get her out my head". She may have won the man, but she will never be at peace.

"Caroline" barely entered the charts, but Galore briefly gave MacColl renewed exposure, following it up with the excellent Cuban-flavoured "Tropical Brainstorm".

The tragedy and injustice of her death, robbed us of a great talent, but at least she will be remembered every Christmas as we hear "Fairytale of New York" for the millionth time.


Hear Next -  "Galore" is a great collection of many finest moments, but I will always cherish 1989's "Kite" album.